Part 3—Adagio ; Part 4--Un Poco Presto E Con Sentimento. Part s—Presto Agitato Forst Halt) ; Part 6—Presto Agitato (Complatlon).—Arthur Catterall, violin, and William Murdoch, piano. L 1537. Of all great musicians, ancient and modern, Brahms, perhaps, led the most orderly and ..

Since Anderson Tyrer joined the instrumental artists of Velvet Face we have had some exceptionally brilliant solos upon the piano, but we hardly think we have had anything quite so sparkling as these two little pieces. They show Mr. Tyrer at the top of his technique and will, we

A curious legal position was revealed in the North London Police Court on August i3th. An application for the suppression of a wireless loud speaker was handed in to the magistrate, the applicant complaining of the noise of the loud speaker belonging to a resident in Mildmay Roa

Irving Berlin's waltz song, " What'll I do e'' ought to be making a fortune for its composer, for we meet it everywhere we turn. Stanley Kirby, naturally, sings it as well as it could be sung, though we believe it is more suitable to a lady. The other song is also a favourite wi

" Let's he as happy as we can, as we can, that is the motto of our song." Hi tiddley 'bacca pipe, give a dog a bone. All day—long. Silly, isn't it? Well, it's meant to be so; but if you had heard crowded houses in the West End shouting to those talented sisters, Dollie and Billi

o Ship of my Delight (Montague F. Phillips).— Virginia Perry, mezzo-soprano, with piano. G 15478. Miss Perry is a delightful mezzo who sings with great taste, and has already made some nice records for Aco. Sullivan's "My Dearest Heart" is a song which requires sympathetic treat

= = = = E = = E = E will supply you with REAL music unequalled in quality a ▪ by any other make. It is convenient to carry and, at = the same time, has all the advantages of a full-sized E - -• - _ = = instrument. Fitted with the famous = = -- -7 - - "TRESEP" SOUND-BOX E which i

Official organ of the League of British Artists

The present year will, without doubt, be looked back upon as having marked an epoch in gramophone history. It may be said that the production of Beethoven's masterpiece, the great "Choral Symphony," in itself marked a red letter day, and this would be undeniably true; but it is